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Seeing In Black and White: Grisaille Painting and Black and White Color Theory
February 16, 2017 @ 10:30 am - 1:30 pm
Seeing In Black and White: Grisaille Painting and Black and White Color Theory (Parts 1 and 2)
Part one:
Chair: Barbara E. Mundy, Fordham University
Grisaille as a Liminal Mode in Early Netherlandish Painting
Lynn F. Jacobs, University of Arkansas
Between Hieroglyph and Print: The White and Blackness of Sixteenth-Century Murals in New Spain
Jeanette F. Peterson, University of California, Santa Barbara
“A great deal whiter still”: The Monochrome Historia Tradition in Tuscany
Christine Zappella, The University of Chicago
Part 2
Chair: Barbara E. Mundy, Fordham University
Architectonic Books: Black-and-White Murals in Colonial Peru
Ananda Cohen Suarez, Cornell University
Florentine Grisaille Painting in Theory and Practice: A Case Study
Patricia L. Reilly, Swarthmore College
To Delight or Deceive: Toward a Mendicant Theory of Color in Sixteenth-Century Mural Painting in New Spain
Savannah Esquivel, The University of Chicago