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Seeing In Black and White: Grisaille Painting and Black and White Color Theory

February 16, 2017 @ 10:30 am - 1:30 pm

Seeing In Black and White: Grisaille Painting and Black and White Color Theory (Parts 1 and 2)

Part one:

Chair: Barbara E. Mundy, Fordham University

Grisaille as a Liminal Mode in Early Netherlandish Painting
Lynn F. Jacobs, University of Arkansas

Between Hieroglyph and Print: The White and Blackness of Sixteenth-Century Murals in New Spain
Jeanette F. Peterson, University of California, Santa Barbara

“A great deal whiter still”: The Monochrome Historia Tradition in Tuscany
Christine Zappella, The University of Chicago

Part 2

Chair: Barbara E. Mundy, Fordham University

Architectonic Books: Black-and-White Murals in Colonial Peru
Ananda Cohen Suarez, Cornell University

Florentine Grisaille Painting in Theory and Practice: A Case Study
Patricia L. Reilly, Swarthmore College

To Delight or Deceive: Toward a Mendicant Theory of Color in Sixteenth-Century Mural Painting in New Spain
Savannah Esquivel, The University of Chicago

 

Details

Date:
February 16, 2017
Time:
10:30 am - 1:30 pm
Website:
http://conference.collegeart.org/

Organizer

College Art Association
Website:
http://conference.collegeart.org/

Venue

Bryant Suite, 2nd Floor, Midtown Hilton New York
1335 6th Avenue
New York, NY 10019
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