Seeing In Black and White: Grisaille Painting and Black and White Color Theory (Parts 1 and 2)

Part one:

Chair: Barbara E. Mundy, Fordham University

Grisaille as a Liminal Mode in Early Netherlandish Painting
Lynn F. Jacobs, University of Arkansas

Between Hieroglyph and Print: The White and Blackness of Sixteenth-Century Murals in New Spain
Jeanette F. Peterson, University of California, Santa Barbara

“A great deal whiter still”: The Monochrome Historia Tradition in Tuscany
Christine Zappella, The University of Chicago

Part 2

Chair: Barbara E. Mundy, Fordham University

Architectonic Books: Black-and-White Murals in Colonial Peru
Ananda Cohen Suarez, Cornell University

Florentine Grisaille Painting in Theory and Practice: A Case Study
Patricia L. Reilly, Swarthmore College

To Delight or Deceive: Toward a Mendicant Theory of Color in Sixteenth-Century Mural Painting in New Spain
Savannah Esquivel, The University of Chicago